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Reading: Dhurandhar: Ram Gopal Varma pens long note for Aditya Dhar, calls him new Ayn Rand | See post Rewrite this headline into a unique, engaging, SEO-friendly news title. Use only English. Maximum 12 words. Output only the new title.
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Dhurandhar: Ram Gopal Varma pens long note for Aditya Dhar, calls him new Ayn Rand | See post
Breaking India News Today | In-Depth Reports & Analysis – IndiaNewsWeek > Entertainment > Dhurandhar: Ram Gopal Varma pens long note for Aditya Dhar, calls him new Ayn Rand | See post Rewrite this headline into a unique, engaging, SEO-friendly news title. Use only English. Maximum 12 words. Output only the new title.
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Dhurandhar: Ram Gopal Varma pens long note for Aditya Dhar, calls him new Ayn Rand | See post Rewrite this headline into a unique, engaging, SEO-friendly news title. Use only English. Maximum 12 words. Output only the new title.

December 26, 2025 3 Min Read
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New Delhi: Following the release of Aditya Dhar’s spy-thriller, “Dhurandhar,” on December 5, 2025, the film’s team and cast have been receiving widespread acclaim. Various celebrities, directors, and fans have taken to social media to express their appreciation for the film, its performances, and direction.

Notably, renowned director Ram Gopal Varma, known for his work on “Satya,” has joined the chorus of praise on social media platform X. He posted an extensive note detailing his admiration for Dhar and his innovative approach to filmmaking.

Varma reflected on the evolution of directors, stating, “A director’s growth not only stems from their predecessors but also from those who come after.” He noted that “Dhurandhar” exemplifies how dramatic storytelling, traditionally confined to intimate settings, can be effectively employed on a larger scale. He emphasized the importance of writing scenes that evoke audience emotions even before they fully comprehend the narrative.

In his critique, Varma pointed to Dhar’s creation of flawed yet consequential heroes, contrasting this with his own earlier work, which often avoided the elevation of heroes. “Dhurandhar invents a new kind of elevation,” he wrote, “making a star seamlessly integrate into the story.”

Varma continued to commend the film’s technical elements, expressing that violence should resonate with viewers on an emotional level rather than merely serve as entertainment. He asserted that crafting action scenes organically is crucial, especially for pan-Indian filmmakers. He mentioned that “Dhurandhar” challenges the traditional three-act structure, asserting that fragmented narratives can still command attention.

He further noted that the film’s pacing can lead to abrupt endings, diverging from clichés of narrative resolution. Varma highlighted the effective use of sound, suggesting that music can wield greater psychological influence than dialogue or visuals alone. His note concluded with high praise for Dhar’s ability to respect audiences and their interpretations.

Varma expressed a shift in his own perspective, stating, “I was always anti-trend,” but recognized that Dhar does not seek validation for his artistic choices, hinting at a higher purpose behind his work. He acknowledged that scale could coexist with restraint to evoke a symphony of emotions and remarked, “I don’t need to grow by myself; I need to catch up with what others have become.” In closing, he referred to Aditya Dhar as the “new Ayn Rand of my life.”

Also Read: Box Office [Dec 25, 2025]: “Dhurandhar” witnesses significant box office growth on Christmas, while “Avatar 3” surpasses “TMMTMTTM.”

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